Canadians SAGA are one of the more long-lasting bands still active, with almost forty years in the business and the same amount of records to their credit. And better than that, Saga never has released a bad album.
Saga's foundation always has been progressive rock yet with a distinctive, melodic touch. They always cleverly
slightly tweaked their sound at different stages of their career to fit the times, without selling out the identity of the band.
During the '80s Saga infused to their polished sound a strong Melodic Rock feel complete with swirling keyboard lines and catchy choruses. For their seventh studio album, Saga signed with Atlantic Records with the aim to finally conquer the US market.
"Wildest Dreams" is the more commercial Saga album ever, with a huge, bombastic, big budget glossy production handled by guru Keith Olsen.
With stylings reminiscent of Mr. Mister and a mature Starship, but also the typical Canadian sound of the era (Frozen Ghost, Glass Tiger Honeymoon Suite) the album is plenty of great poppy AOR tunes.
All songs are good with title track amongst my favorites including the elegant "Chase The Wind", "Don't Put Out The Fire", "Angel" and the breezy "Only Time Will Tell".
Despite its quality and the many potential singles "Wildest Dreams" went quite unnoticed in the US, but the album sold really well in Saga's more successful markets like Europe and their native Canada. The CD become a rarity for many years as Atlantic refused to give the rights to the band for a reissue.
This is a rip from the USA edition (the hardest to find) which sounds million times better than the European press by BMG/Bonaire. I don't know why, but I have tested many copies of the latter and they weren't bright as this Made in USA by WEA Manufacturing Inc.
I added as bonus "Perfect Stranger", the song recorded by the band around the same time for the motion picture 'Johnny Be Good', a track never appeared into any Saga album (and a quite rare soundtrack).
Enjoy Saga's "Wildest Dreams" - one of the first albums recorded DDD - a true product from the second half of '80s.
01 - Don't Put Out The Fire
02 - Only Time Will Tell
03 - Wildest Dreams
04 - Chase The Wind
05 - We've Been Here Before
06 - The Way Of The World
07 - Angel
08 - Don't Look Down
09 - Perfect Stranger (Johnny Be Good OST)
Michael Sadler - vocals, keyboards
Jim Crichton - bass, keyboards & synthaxe
Ian Crichton - guitar, shadow midi guitar systems & synthaxe
Curt Cress - drums, percussion
SAGA Wildest Dreams (1987) USA edition
Thursday, May 18, 2017
Updated May 22, 2017
Published by Camelblue on Thursday, May 18, 2017
Thursday, May 11, 2017
Requested in "Request & Fill Corner" section...
As promised, here's JOHN WARREN's "One Heart", the follower of the recently posted 'Private Motion'.
Even more AOR oriented than its predecessor, "One Heart" delivers stupendous melodic tunes on "The Chosen Few" and "Rain Down On Me" in the vein of Steve Overland's FM, soft Westcoast tracks like "Another Side Of You" or "Show Me A Way" and his usual Hi-Tech numbers in "Don't Give Up" and "I Get This Feeling".
Title track "One Heart" is an elegant midtempo AOR, while "We Danced All Night" reminds you those mid-eighties soundtrack catchy songs.
Added as bonus, two unreleased tracks: another song recorded by Warren for the television medical drama 'General Hospital' entitled "Into The Fire", and the private demo "I'll Come Around", a ballad in the 'John Farnham' style.
Very Good stuff - Out Of Print.
01 - Rain Down On Me
02 - I Get This Feeling
03 - The Chosen Few
04 - Another Side Of You
05 - Hard World
06 - We Danced All Night
07 - The Rules Of Her Heart
08 - One Heart
09 - Show Me A Way
10 - Don't Give Up
11 - Into The Fire [GH OST unreleased]
12 - I'll Come Around [private demo]
John Warren - Lead and Backing Vocals
Andrew Gold: All Instruments, Backing Vocals
Joe Turano, Rosemary Butler - Backing Vocals
JOHN WARREN One Heart + bonus
Friday, May 05, 2017
Requested in "Request & Fill Corner" section...
PRiSM were one of Canada's AOR pioneers for sure. The band never found a stable line-up, but all their recordings are prime examples of quality melodic rock, with an accentuated AOR inclination with each record released.
In 1981, presumably by the band's new label (Capitol) wishes, original singer Ron Tabak was fired, replaced by Henry Small for the 6th album wisely entitled "Small Change".
It was not only a change at the mic, but also in the general musical approach, more commercial and radio friendly AOR.
For this matter, external songwriters and future super stars were brought in, like Jim Vallance & Bryan Adams contributing the lead single "Don't Let Him Know", a wonderful fluffy AOR tune with a killer chorus. Both Vallance & Adams also wrote the brilliant AOR ballad "Stay", very much in the REO Speedwagon style.
"Turn On Your Radar" is classic, lightweight CanCon mid-tempo AOR, the punchy "Hole In Paradise" is pure Melodic Rock Heaven, and "Rain" a dreamy ballad with great atmosphere.
The Bruce Turgon (later in Shadow King and Foreigner) penned AOR rocker "Heart And Soul" keeps you moving with style, in the intense "When Love Goes Wrong" Henry Small sounds like a young Mark Free, while Prism does a very cool rocking rendition on Jimmy Rodgers' "In The Jailhouse Now".
The album ends with the Foreigner / Sheriff sounding semi-ballad "Wings Of Your Love", adorned with pianos and nice bluesy guitars.
Although it scored a couple of US Top40 singles and went platinum in Canada, "Small Change" incredibly wasn't properly released on CD by Capitol years after.
The now defunct -and great- German label ATM picked up the challenge and released this (and follower 'Beat Street') on CD for the first time in 1997 (there's also a Renaissance reissue) including 6 bonus tracks.
These are the prev. unreleased "Cadillac Club", the rocking "N-N-N-No!" from the previous recording and four alternate takes / mixes from the main album. Honestly, I hear few differences, the most noticeable are the louder guitars on "Heart And Soul".
All are included here in my file, but the main "Small Change" is ripped from the rare promotional only, special limited edition, remastered version. There's only few copies of this one on vinyl and CD.
Limited Edition remastered:
01 - Don't Let Him Know
02 - Turn On Your Radar
03 - Hole In Paradise
04 - Rain
05 - When Will I See You Again
06 - Heart And Soul
07 - Stay
08 - When Love Goes Wrong
09 - In The Jailhouse Now
10 - Wings Of Your Love
ATM label bonuses:
11 - Cadillac Club
12 - When Will I See You Again (Alt. Version)
13 - Heart Ans Soul (Alternate Version)
14 - Stay (Alternate Version)
15 - Rain (Alternate Version)
16 - N-N-N-No!
Henry Small: vocals, bass, guitar, keyboards
Lindsay Mitchell: guitar, vocals
Allen Harlow: bass
Rocket Norton: drums
PRISM Small Change remastered
Saturday, April 29, 2017
Requested in one comment
"Surrender" is the second album from JOSHUA, the band of talented American shredder Joshua Perahia. Regarded as one of the best Melodic Hard Rock records released by an American band during the '80s, "Surrender" should have sold millions if the recording company had been properly promoted the band.
"Surrender" was originally issued in 1985 on vinyl only, and although the US public barely noticed the release, the album did it well in Japan and Europe, where Kerrang Magazine ranked the LP #1 for weeks.
This vinyl version of "Surrender" was posted on the blog 7 years ago, and requested again. But I think it was most suitable to present now the CD version of the album.
By 1992, Perahia received an offer to re-record "Surrender" with a bigger production budget and the promise of an international edition / distribution.
Joshua re-worked the whole thing from the scratch: everything was re-recorded with the exception of Jeff Fenholt's vocals. There's new guitar solos, some different rhythm tracks, new drums, multi-layered choruses, etc.
The CD reissue also features the additional track "Show Me the Way" with Robyn Kyle Basauri (Red Sea) on vocals. Robyn's leads were also added to "Loveshock", originally performed by Ken Tamplin.
The songs on "Surrender" are superb. With a strong hard rock foundation, all are built on terrific melodies and catchy AOR choruses. Just take as example the soaring opener "Surrender Love" with its biting guitar riffs, stabbing keys and wonderful verses showcasing Fenholt's top vocals. The chorus is to die for with all the '80s charm over it.
"Your Love Is Gone" is a melodic hard rock gem, same with the new cut "Show Me the Way" (with a little 'American Whitesnake' in it) and the more mid-tempo oriented Yardbirds' cover of "Heart Full of Soul".
There's more hard rockin' numbers in between, like "Back To The Rock" or the kickin' "Loveshock", not ordinary compositions for sure plenty of substance and great musicianship.
While many still prefer the "Surrender" original recording (which included some Simmons electronic drums typical of the era) this re-recorded version is equally great. It's more professionally done and sounds vibrant and punchier.
The CD was reissued several times, always with a different artwork. This is the out of print Japanese edition from 1994 quite rare and hard to find.
"Surrender" is a superlative piece of US American Hard Rock that deserves a distinguished place in your collection.
01 - Surrender Love
02 - Heart Full Of Soul
03 - Your Love Is Gone
04 - Stay Alive
05 - Rockin' The World
06 - Back To The Rock
07 - Hold On
08 - Show Me The Way
09 - Loveshock
10 - Rockin' The World (reprise)
Joshua Perahia: Guitars, Bass, Backing Vocals
Jeff Fenholt, Robin Kyle: Lead & Backing Vocals
Patrick Bradley: Keyboards
Loren Robinson: Bass
Craig Ostbo, Joe Galletta, Joe Tafoya: Drums
Eric Tuttobene, Ken Price, Bryan Fleming: Backing Vocals
JOSHUA Surrender [Japanese Edition]
Friday, April 07, 2017
From now, all request & fills goes in this post Comments.
If you need an album or a single track, request it here, if you have it, be kind with other readers, upload the file and post the link here as well.
Access to this page will be placed at the right column ------>
(the "CLICK HERE" neon sign)
It will be opened in a new window.
Check this section regularly.
You'll find many albums uploaded by readers, not present on the main blog ...
Help each other people!
and don't forget to check out ARCHIVES:
ARCHIVES PART 16
ARCHIVES PART 17
ARCHIVES PART 18
ARCHIVES PART 19
take a deep look at the end of each part...
Thursday, April 06, 2017
Requested in "REQUEST & FILL CORNER" section...
"Life At... 10 P.M.", the one and only album from Norwegian act 10 P.M. is an obscure, indie release much sought after by collectors fetching sidereal prices at eBay.
10 P.M.'s style is Euro AOR but not flooded by fluffy keyboards / sweet choruses known from Scandinavian acts. Their music tends to be more elaborated and expansive, with three of the tracks here around the 6-minute mark. This also suppose a slightly progressive orientation, yet on the lighter side of the spectrum.
With that in mind, "Life At... 10 P.M." features really interesting compositions such as title track, midtempo 'The Last Note' (perhaps the best song here), 'Tears In The Night', and the short, acoustically based 'Tears In The Night'.
On the more commercial side, and adding a touch of melodic hard rock we have 'Easy Come', 'Bridges', 'Leaving The Body', or the heavier 'Time Can Tell'.
There's also listed as bonus track a full length version of the title track including additional guitar solos and piano arrangements.
While "Life At... 10 P.M." isn't a catchy, 'instant AOR' record, it's a quite interesting opus. The problem with this album is the disparate production, and at places, the mix, something understandable as it was recorded on a very scarce budget at hand on previously used analog tapes.
Not so long ago it was reissued with a 'remastered sound' where several flaws were corrected, like tape hiss, buried bass lines, etc.
This is the "Life At... 10 P.M. / Remastered" version, rare as hen's teeth.
01. The First Sunrise (intro)
02. Easy Come
03. Life At P.M. [radio edit]
05. The Last Note
06. Leaving The Body
07. Time Can Tell
08. Future Dreams
09. Tears In The Night
10. One Track Jack
11. Tears In The Night
12. Life At 10 P.M. [full length – bonus track]
Henning Glommen: vocals
Patrik Olsen: guitar
Tommy K.: keyboards, piano, bass
Fin Nass: drums
10 P.M. - Life At... 10 P.M. [remastered] (1995)
Wednesday, March 29, 2017
Requested by many...
TOM DE LUCA had success as songwriter during the '80s, unfortunately not the same happened with his recording artist career. Tom got a contract with major label Epic and his debut album Down To The Wire was ready to be released in 1986, but due to some record company troubles only the initial, limited batch of the album hit the stores.
Many tracks for a supposed second album were already taped, some in a pre-production form, but of course, the sophomore opus never materialized.
Some kind of myth among AOR fans is that already there's a second Tom De Luca album released under the title "Captured", but in fact it's a collection of the aforementioned demos, more or less.
Less I'd say, because De Luca demoed more songs later, where the great Mike Slamer (Steelhouse Lane, Seventh Key) was involved.
I have compiled here all these songs under the title "Captured / The Sessions", all finished tracks with pre-production quality, all unreleased. Well, 3 were included as bonus tracks in the Down To The Wire reissue (featured here on the blog), but the demos are slightly different, especially the mix.
The overall sound quality is excellent - I've cleaned some noises, studio clicks, etc, plus myself-made artwork - and the material is highly enjoyable stuff for all melodic rockers out there.
A collectors item.
01 - Strongest Heart
02 - Take It Like A Man
03 - Don't Need Your Kind Of Love
04 - Only The Young
05 - Love Train
06 - Let Me Know
07 - Shotgun Wedding
08 - Suicide City
09 - Can't Stop Love, Can't Stop Money
10 - You're My Religion
11 - Still I Want To Fall
12 - Captured
13 - Guilty
14 - Kickstart My Heart
15 - Tragedy
16 - Searching For That Something
17 - Raised On Love
TOM DE LUCA - Captured [The Sessions]
TOM DE LUCA started his career basically as songwriter, established in Nashville at the end of the Seventies. He co-wrote the Jennifer Rush hit 'Heart Over Mind', songs for Aldo Nova, Joe Perry of Aerosmith and most of the tracks in Molly Hatchet's 1984 album 'Deed Is Done'.
This successful work with the Hatchet attracted Epic / CBS Records to sign Tom as solo artist, and send him to England to record his debut with James Guthrie (Pink Floyd, Judas Priest).
After a year and a half of hard work, "Down To The Wire" was ready to be out at the beginning of 1986. Unfortunately, the same week of the release there was an unexpected executive staff change at Epic, and the new crew decided to not promote De Luca's album.
Few cassette and vinyl LP copies (already pressed) reached selected stores, and the album become a collectors item instantly.
Much sought after for years, fans had to wait more than twenty years to see "Down To The Wire" released for the first time on CD.
This album is a lovable slab of Midwest American AOR / Melodic Rock with a sharp guitar sound and catchy choruses akin John Waite, Stan Bush, Kane Roberts early solo works, Aldo Nova, Jeff Paris and Steve Plunkett's projects - check the Autograph-like (minus the bombast) "Chasing Shadows".
Finally available with a superb sound, this "Down To The Wire" reissue includes three bonus tracks, two of them co-penned with the mighty Mike Slamer (Steelhouse Lane, Seventh Key) composed in the late '80s and much more Melodic Rock oriented.
A must have for any '80s American AOR / Melodic Rock fan.
01 - 57 Chevy
02 - Runaway Hearts
03 - Chasing Shadows
04 - Dirty Fingers
05 - Fire In The Night
06 - Down To The Wire
07 - Going The Distance
08 - Stone In Your Heart
09 - Betrayed
10 - Reunion
11 - Don't Need Your Kind Of Love (bonus track)
12 - Can't Stop Love Can't Stop Money (bonus track)
13 - Love Train (bonus track)
Tom De Luca - Vocals, Guitar
Derek O'Neil - Guitar
Mickey Feat - Bass, Backing Vocals
Jamie Lane - Drums
Danny Schogger - Keyboards
Taylor Rhodes - Keyboards, Backing Vocals
Gary Barnacle - Sax
Martin Ditcham - Percussion
TOM DE LUCA Down To The Wire
Thursday, March 02, 2017
Requested by one of you...
The only reference I had from TERRY REID years ago was his contribution to the Days Of Thunder soundtrack. But this English gentleman began his career in the late Sixties, shared stages with the likes of Rolling Stones, Cream, Jimi Hendrix, and even Jimmy Page wanted Reid for his proposed new group, The New Yardbirds, which was to become Led Zeppelin.
Later, it was offered a slot as lead vocalist of Deep Purple, but again, Reid declined, decided to concentrate in his solo career. Wrong decision indeed...
Anyway, after some moderate success all over the Seventies, at the beginning of the '80s Reid located in the US and worked as session musician recording for Don Henley, Jackson Browne, UFO, and many more.
Then came the opportunity to record a song for the Days Of Thunder movie, a cover version of the Spencer Davis Group classic 'Gimme Some Lovin'. Due to the film & soundtrack success, Reid was offered to record a new solo album, 12 years after his last LP.
The result was this "The Driver", mostly produced by renowned producer Trevor Horn with a pristine, bright late '80s sound. Also some serious musicians were part of the sessions (check below).
It opens with the beautiful midtempo light AOR 'Fifth Of July', followed by my favorite 'There's Nothing Wrong' which seems recorded in 1986, and still send chills down my spine with each listen. What a killer tune.
Then there's the exquisite ballad 'Right To The End' composed and produced by talented Gerard McMann, charming and very atmospheric.
Another highlight is the closing song: 'The Driver', which is no-other than the original version (written by Reid with film composer Hans Zimmer) of 'Last Note Of Freedom' performed by David Coverdale on Days Of Thunder OST. Lyrics were changed (and title song) to conform what happens in the movie story.
"The Driver" is a true piece of '80s (despite of being released in 1991) with that classy clinical production taking advantage of Reid's slightly raspy, unique smooth vocals.
This is taken from the original edition CD long time out of print. A couple years ago appeared an Original Album Series box featuring 5 Terry Reid career albums including "The Driver", but not remastered. And if you ask me (I've listened to it) this one sounds much better.
01 - Fifth Of July
02 - There's Nothing Wrong
03 - Right To The End
04 - The Whole Of The Moon
05 - Hand Of Dimes
06 - The Driver (Part I)
07 - If You Let Her
08 - Turn Around
09 - Gimme Some Lovin'
10 - Laugh At Life
11 - The Driver (Part II)
Terry Reid - vocals, guitar
Jackie Lomax - guitars
Brian Auger - keyboards, programming
Timothy B. Schmit (The Eagles) - bass
Alan White (Yes) - drums
Stewart Copeland (The Police) - drums
Jack Lancaster - sax
Joe Walsh (The Eagles) - guest guitar solo
Howard Jones - keyboards, programming
Enya - backing vocals
TERRY REID - The Driver (1991)
Monday, February 27, 2017
Maybe the name JERRY G. HLUDZIK doesn't ring a bell to you, but the man has created some of the greatest AOR tunes ever wrote. He's one of the founder members of classic AOR outfit Dakota, and as well has been releasing solo albums from time to time via his own, small recording label.
This "Just Letting It All Go", his last solo album, offers many points in common with Dakota, but the overall style is classic American classic rock with a MidWestern AOR flavor.
"Hole In My Pocket" sounds a lot like Dakota, "On A Day Like Today" is like a Nelson song in the 21st century, and "One From The Heart" is a fantastic AOR ballad (and maybe the best song on offer here) much in the vein of Night Ranger's acoustic '80s songs.
"Just Letting It All Go" is a solid piece of music, very well homemade produced & engineered featuring some of finest songwriting heard in a long time. Jerry G. Hludzik is a talented craftsman, and this album oozes quality from every corner.
Thanx rockland for this one, I miss you my frined.
01 - Hole in my pocket
02 - What's in this kiss
03 - What if
04 - Try
05 - On a day like today
06 - One from the heart
07 - Letting it all go
08 - All for the better
09 - These 50 years
10 - Right where I belong
11 - Better man
12 - Wind on my whiskers
Jerry G Hludzik - vocals, acoustic guitars, mandolin
Jon Lorrance (Dakota) - guitars
Lenny Mecca - bass
Eli Hludzik (Dakota) - drums
Tom Borthwick - keyboards
Joe Andes - keyboards
Wes Styles - keyboards
Joe Taco - persussion (11)
Bill Kelly - backing vocals (5)
JERRY G. HLUDZIK - Just Letting It All Go
Saturday, February 18, 2017
Requested in "REQUEST & FILL CORNER" section...
Based in Indianapolis, hard rock act STONEWALL / WEEKEND was founded in the late '80s by guitarists Jason Stonewall and Joe Joe Weekend, both veterans from the local Rock scene after sharing countless gigs as part of different bands all over the decade.
The project born from the ashes of Why On Earth, a metallic outfit where both musicians played together. Aiming for a more commercial sound at the time ruling the US Rock charts, they started to write songs and meanwhile completing the line-up.
The self-titled debut "Stonewall / Weekend" was released in 1990 by themselves via their own label named Air Records, and the band toured the area with significant success.
The CD mix melodic hard rock tunes with the typical catchiness from the late '80s / early '90s and a more edgy approach on some tracks.
There's a juicy combination of muscular guitar riffs, a punchy rhythm section and harmony vocals - all spiced with keyboard touches - on effective rockers such as 'Is It Any Wonder', 'Stand It', 'Another Night in Hollywood' or 'Nothin's Gonna Stand in Our Way'.
Midtempo "Where My Life Leads Me" even adds an AORish feeling, while Jason Stonewall takes the lead vocals on the pumping 'Gotta Have Your Love'.
On 'Waiting For The Axe To Fall, PT.2' Stonewall / Weekend showcase their US metal origins, though the verses are pretty melodic.
"Stonewall / Weekend" is some kind of obscure collectors piece, and has become a rare piece rarely seen at auction sites. The band released another album - not consistent as this one - before disbanding in 1995.
This is a cool slice of US melodic hard rock stuff with an edge, very well executed and produced.
01 - Stand It
02 - Nothin's Gonna Stand In Our Way
03 - Another Night In Hollywood
04 - Is It Any Wonder
05 - L.A.X.
06 - Heads Will Roll
07 - Your Love Excites Me
08 - Where My Life Leads Me
09 - Turkish Tram Conductor Blues
10 - Gotta Have Your Love
11 - You And Me
12 - Waiting For The Axe To Fall, PT.2
Jason Stonewall - guitar, lead vocals on 10, backing vocals
Joe Joe Weekend - bass, guitar, backing vocals
Dwayne Kendall - lead and backing vocals, guitar
Denny Melman - drums, backing vocals
Troy Kinnett - keyboards, saxophone
Robert Sisk - lead vocals on 9
STONEWALL / WEEKEND 1990
Tuesday, February 07, 2017
Requested in "REQUEST & FILL CORNER" section...
SIREN was a short-lived band signed by Mercury Records to be the next answer to Heart. Fronted by goddess Kristin Massey and with a leather/glammy image, the music was in fact commercial rock&pop with a melodic hard rock sonic treatment.
"All Is Forgiven" is their debut appeared in 1989 and it's a solid product from the era. I know few remember Siren simply because that year was over-flooded by excellent releases for the genre, and basically, Mercury lost interest to promote the release. A shame.
But there was a reason; soon after the release of "All Is Forgiven" a lawsuit arrived... other band legally owned the name Siren, so they were forced to change it to 'Red Siren'.
Hence, Mercury had to re-print the LP, CD and cassettes, and label executives don't like that... Siren / Red Siren were put in a black list losing all potential promotion.
But it's music what matters and Siren's "All Is Forgiven" is plenty of good moments.
Title track is a highlight and the more muscular cut on the record, 'Master Of The Land' is another fine uptempo which brings to mind Saraya, and 'One Good Lover' add acoustics to the mix alongside lots of synths, resulting very catchy.
'Stand Up' is perhaps the most poppy track on the record, but one of my favs. It has 'something' that makes it special.
Another of my picks is closer, midtempo ballad 'So Far Away', which obviously was crafted with a Heart / Robin Beck hit-chart styling, a very sweet number with delicate vocals by Kristin, lots of keys and a solid guitar solo.
Siren's (or Red Siren) "All Is Forgiven" is a forgotten but very solid release from the US melodic hard rock 1989 scene.
Needless to say, this first CD pressing sporting the original 'Siren' name on the cover / artwork quickly became a collectors item.
01 - All Is Forgiven
02 - One Good Lover
03 - Don't Let Go
04 - Master Of The Land
05 - Stand Up
06 - Good Kid
07 - How Dare A Woman
08 - Rock-A-Bye
09 - Love Shut Down
10 - So Far Away
Kristin Massey - lead vocals, rhythm guitar, keyboards
Robert Haas - guitar, keyboards, backing vocals
Jon Brant - bass
Gregg Potter - drums
SIREN - All Is Forgiven (here)
Thursday, January 05, 2017
Requested in "REQUEST & FILL CORNER" section...
In the middle of the furor for his new 'toys' (read synthesizers), EDDIE VAN HALEN agreed to compose and perform the score for the 1984 comedy movie "The Wild Life".
The Music From The Original Motion Picture Soundtrack LP was released including various songs heard in the film (including tracks by Van Stephenson, Charlie Sexton, etc) and the main theme composed and played by EVH titled 'Donut City'.
The rest of the material, of course, remains unreleased.
Fast forward a couple of decades and thanks to modern digital technology, many of the incidental music from the movie can be separated from DVD or Blu-ray.
Almost the complete "The Wild Life" score performed by Eddie Van Halen is featured here, including the much sought after 'End Titles Song' (also known as 'Back To School') with a very good sound.
As bonus, I've added some of EVH most celebrated songs in its 'isolated track' versions, only the 'guitar tracks' taken from the original tapes.
01 - Open Titles
02 - Good Enough
03 - Donut City
04 - Thinking
05 - Fashion Dynasty
06 - Out The Window
07 - All Fired Up
08 - Peeping Tom
09 - Driving
10 - Love Theme
11 - Top Down
12 - End Titles [Back To School]
13 - Jump (Isolated synth & guitar)
14 - Ain't Talkin' Bout Love (Isolated Guitar)
15 - Panama (Guitar Track)
16 - Little Guitars (Isolated Guitar)
17 - Hang Em' High (Isolated Guitar)
18 - Atomic Punk (Isolated Guitar)
Written & Produced by Donn Landee and Edward Van Halen
All instruments performed by Edward Van Halen
EDDIE VAN HALEN The Wild Life (1984) Unreleased Score