DUANE EVANS - The Camel's Hump (demos)

Requested in "REQUEST & FILL CORNER" section...

Songwriter, multi-instrumentalist and owner of a recording studio, DUANE EVANS become a highly requested single / commercials maker during the '80s & '90s, but his musical travel started long time before.
After playing in several bands from the US East Coast, one day at the beginning of the Eighties Evans got a call from a friend... - Do you want to play in the band for Benny Mardones, whose 'Into The Night' single it's at the No. 5 on the Billboard charts?

The association with Mardones lasted more than ten years, they wrote together dozens of songs and of course, Evans recorded on all '80s Benny albums including the cult classics 'Unauthorized', 'American Dreams' and the outstanding major label release '89 'Benny Mardones' alongside Jeff Porcaro, Dave Amato and Mark Mangold.
In the meantime, Duane Evans had a publishing contract with Warner Chapel writing songs for other artists and many Hollywood movies. Plus, he played for Johnny Van Zant - even one of Evan's songs is included in the superb 'Van Zant' AOR album (Geffen Records, 1985).

As you see, Duane Evans has an impressive pedigree as Melodic Rock / AOR musician & composer. And every musician wants to record his own songs...
While managing his own recording studio and producing several artists / recording singles, Evans taped dozens of his songs in a highly professional quality.
Around 2009 Evans compiled many of these tracks and put them on sale at some obscure digital stores under the name "Camel's Hump" [not related with me :-)], but I am not sure if still are available.

Well, a reader requested the album here, and I found deeply buried into my archives a folder called "DUANE EVANS - Camel's Hump [demos / Benny Mardones related]". I don't know if the files here are demos or the final versions, but believe me, the sound is excellent.
And the musical style is nothing short than the awesome '80s American AOR / Melodic Rock we all love.



Tracks like the terrific mid-tempo "I Wanna Run To You", the Tim Feehan-like "Send A Message", or the classic melodic rocker "On The Brink of Your Love" are to die for.
"Ride Ride Ride" is pure radio-ready magic circa 1984 which seems designed for a movie soundtrack of the era, then "Only Love" is top class West Coast AOR in the best L.A. Session tradition.
More quality appears in the breezy AOR of "I'll Be Loving You", the heart-breaking "The Lady In White" is like a Mardones missing (and great) track, while "A Night To Remember" bring to mind 1982 Rick Springfield.

"DUANE EVANS - The Camel's Hump (demos)" is pure gold, not only for AOR / Melodic Rock fans but also for collectors of rare, high quality material in this genre. I never seen this stuff posted / shared anywhere, and it's a shame, these terrific songs deserve to be listened by all.
That's why I am here...
This is one of the best posts in the long existence of this blog: AWESOME SONGS!


01 - We Can Make It Work
02 - Ride Ride Ride
03 - I Wanna Run To You
04 - Only Love
05 - Send A Message
06 - On The Brink of Your Love
07 - I'll Be Loving You
08 - The Lady In White
09 - A Night To Remember
10 - You Will Be Forever (Fly Baby Fly)
11 - I'm Just A Kid (In A Rock 'n Roll Band)
12 - You Get What You Get
13 - Party For The Planet
14 - The Red Ribbon Song (There's Also Hope)
15 - Fly Baby Fly [instrumental]






DUANE EVANS - The Camel's Hump (demos) HERE
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KEVIN WELLS - Little Acts Of Treason (1985)

American KEVIN WELLS is a pedigreed musician who plays everything from drums to guitar, and it's an accomplished vocalist & songwriter as well. Versatile at everything from jazz to hard rock, he has played on the road or in the studio since the age of 15 with dozens of major acts.
Member of cult act Pablo Cruise or Laura Branigan's live band musical director, perhaps Wells is better known as Huey Lewis & The News' drummer & backing vocalist, having recorded on their 'Sports' album and co-written with Andre Pessis (Mr. Big) their hit 'Walking On A Thin Line'.

By '85 Kevin Wells had the opportunity to release his own material as solo artist, handling the lead vocals, drums, keys, and thanks to his business connections, getting into the studio real heavy weight session musicians.
Just take a look; master Dann Huff on guitar, keyboardist Bill Cuomo, terrific drummer Vinnie Colaiuta, West Coast / AOR icon Jim Photoglo doing backing vocals... impressive.

Kevin Wells' debut "Little Acts Of Treason" is a short, beautiful, typically mid-Eighties plenty of catchy numbers. A melodic mix of Rock&Pop & AOR, radio friendly tunes, with excellent production and musicianship all over.
"I'm still Waiting" is a glossy, synth based track with a contagious chorus that remembers Tony Carey's 80s material. The lite-AOR rhythm of "Stronger than the City" is a pure melodic bliss, a really catchy track with a lovely chorus.

"Agony and Ecstasy" is a super commercial ballad with some kind of Aldo Nova on it and a great guitar work by John McFee. Why this song never become a hit? Excellent.
The meaty funky groove of "Never too Late" raise the pace again (with class), and then "Night Life" is one of the highlights of the disc, a magical mid-tempo light AOR track.

"Out of my Hands" has a great chorus, very nice harmonies (Jim Photoglo on backing vocals) and a great Huff guitar solo. "Time Heals" is my favorite song on the LP, an AORish and captivating tune with a terrific rhythm guitar and very good climax. This track reminds me Tommy Shaw solo work.
"Love is on the Line" is another beauty, cool and ethereal, in the best Van Stephenson style. "Talk to Me" has a lot of keyboards and guitars, a track again in the vein of Tommy Shaw but his first solo album 'Girls With Guns' era.



Kevin Wells has a warm sweet voice, while his songwriting is catchy, intelligent (very clever commercial arrangements too). In fact, most of the tracks are co-penned by the aforementioned Andre Pessis, a talented cat in this matter.
"Little Acts Of Treason" was released by small private label, but surprisingly, Victor Japan (a big one these days) pick up the record and released it in Asia with considerable success. However, the album never was reissued on CD.
This a rip at maximum quality from a bootleg CD which sounds really well, including artwork scans.
Rare and delicious.


01 - I'm still waiting
02 - Stronger than the city
03 - Agony and ecstasy
04 - Never too late
05 - Night life
06 - Out of my hands
07 - Time heals
08 - Love is on the line
09 - Talk to me

Kevin Wells: Vocals, Keyboards, Drums
Dann Huff: Guitar
John McFee: Guitar, Bass
Rick Chudacoff: Bass
Bill Cuomo, Bill Elliott: Keyboards
Vinnie Colaiuta, Peter Bunetta: Drums
Jim Photoglo, Matthew Wilder, Leslie Smith, Joe Turano, Harmish Stewart, Larry Hoppen: Backing Vocals




KEVIN WELLS - Little Acts Of Treason (1985)
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L.A. RAY And The SHADES - Wild Weekend (1985)

Requested in "REQUEST & FILL CORNER" section...

L.A. RAY And The SHADES is a funny name for your band. It does not a reference to sunglasses or the Californian city, in fact, this band hails from Colorado, and in their only (?) album "Wild Weekend" they deliver some darn fine '80s Pomp / Melodic Rock.

Opener "Do It All Night" is driven by biting guitars, a very strong melody and vocals which remind me Mervyn Spence from O'Ryan. "City Lights" adds some Pomp to the mix with some late Angel (Giuffria) but it's mostly a melodic rocker with a sharp six-string work and a killer solo.
A Pomp AOR infusion explodes in track 3 "So Glad" starting with analog keys developing into something Styx could have produced in the first half of the '80s, however the chorus is quite poppy and extremely catchy. Excellent harmony vocal arrangements here too.

"Lady Ice" is that kind of mid-tempo Pomp tune we all love, again with an Angel / New England feel - love these stabbing keys in the background. The elaborated middle part has some Queen reference as well.
More quality pompy stuff comes with "Why Don't You" (akin Le Roux), the catchy "Victim Of Love", the harder "Rockin' In Time" and the sweet and melodic "It Only Takes A Minute" (perhaps a bit of REO Speedwagon?).
"Don't Want To Be Lonely" is more mid-Eighties radio-oriented AOR, while the LP ends with the ballad "No Goodbyes", pompy with certain Roadmaster cadence in the vocals.



"Wild Weekend" is a rare private vinyl release requested many times on this blog, so here it is, ripped from vinyl (not mine) but cleaned.
There's almost no information available about L.A. RAY And The SHADES, even I do not have the names of personnel involved. But who cares when the music is so good.
As a friend habitually says: Pomp Rules!


01 - Do It All Night
02 - City Lights
03 - So Glad
04 - Lady Ice
05 - Why Don't You
06 - Victim Of Love
07 - Rockin' In Time
08 - Don't Want To Be Lonely
09 - It Only Takes A Minute
10 - No Goodbyes




L.A. RAY And The SHADES - Wild Weekend (1985)
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THE BURNS SISTERS - Endangered Species (1989)

Requested in "REQUEST & FILL CORNER" section...

New York based THE BURNS SISTERS opted for an appropriate band name, as there's five sisters at the core: Annie, Marie, Terry (Theresa), Jeannie and Sheila Burns, all owner of fantastic voices. Yes, the five share their pipes in the band resulting in highly harmonized melodies.
The Burns Sisters were signed by major label Columbia Records in the mid-Eighties and released their first album in 1986, a rock&pop / AOR disc oriented to radio. But for this second effort "Endangered Species" the band management and the label opted for a rocking approach according to the time of release; 1989.

"Endangered Species" is a terrific Melodic Rock / AOR album with all the magic the genre had to offer in America circa 1989. Production is top notch, the guitars bite and the choruses are celestial.
Of course, grand part of this success should be thanked to AOR guru Bob Marlette (The Storm, Alice Cooper) who not only provide the awesome guitar riffs / solos and co-write the songs, but also was at charge of the musical direction.

There's not a single weak track on "Endangered Species"; you have a catchy rocker in "Love Me Like A Man", the pumping AOR of "We Wait For Freedom" (the best song Heart never wrote), the melodic bliss of "Remember Me" (akin Fiona), the moving "Greenlight", and if you need ballads "Hold On" is an AOR diamond, as the calm and multi-layered vocal arrangement of "The King Is Going To Fall".



"Endangered Species" is pretty unknown for many Melodic Rock / AOR fans due the album's failure to chart when released, and was forgotten soon. That was not because the lack of quality for sure, but at the time there was a change of management at Columbia Records and the record never got a proper release and promotion.
Well, it's time to enjoy this "Endangered Species" from beginning to end, at maximum quality and with complete artwork.


01 - Love Me Like A Man
02 - We Wait For Freedom
03 - The King Is Going To Fall
04 - Remember Me
05 - Hold On
06 - My Boyfriend's Back
07 - Greenlight
08 - Place To Rock
09 - Answers
10 - Last Eagle (For The People Of Big Mountain)

Annie Burns - Vocals
Jeannie Burns - Vocals
Terry Burns - Vocals
Marie Burns - Backing Vocals
Sheila Burns - Backing Vocals
Denny Fongheiser - Drums
Bob Marlette - Guitars, Bass, Keyboards




THE BURNS SISTERS - Endangered Species HQ
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SHARP EDGES - Slice Of Life (1983) CDrip

SHARP EDGES was a Canadian AOR band that sadly only released this miniLP "Slice Of Life" in 1983. Only 6 tracks but all good, contagious tunes with the unmistakable '80s sound.
Mixing commercial radio friendly choruses with rockin' AOR riffs, these guys were really, really good.

Opener "On The Edge" is a semi-midtempo rockers with an action-movie cadence, filled with stabbing keyboards and solid percussion. Dave Filchak's vocals are perfect for this, reminding me Larry Greene (Fortune), while Tom Lang plays a short but sharp guitar solo.
"Too Young" has a pure AOR pumping attack. Here Lang takes the mic and, apart of his sharp six-string work, he is really good singing too! His riffs and specially the swirling keyboards are a must on this track.

"Runaway" is a catchy funky version of Del Shannon classic (well done), and follower "Girl On The Airwaves" has a radio-rock approach wrapped with great harmony vocals. The slightly Hi-Tech style of "Schizophrenia" definitely has the typical Canadian AOR sound with 'that' drums.
"City Boy" is a another winner, an uptempo rockin' AOR with a great refrain / hook and constant catchiness.



Crisply produced by Canadian guru Ed Stasium (Vixen, Ratt), "Slice Of Life" is a great CanCon AOR representation of the first half of the Eighties. It's catchy, melodic and fun.
This is the rare CD edition done by a small Dutch label, transferred with a truly good sound quality. Seems there's a newly CD re-issue, including a b-side and a couple of remixes.
Highly Recommended to any '80s AOR fan.


01 - On The Edge
02 - Too Young
03 - Runaway
04 - Girl On The Airwaves
05 - Schizophrenia
06 - City Boy

Dave Filchak - Guitar, Vocals
Tom Lang - Guitar, Vocals, Keyboards
Dan Zimmerman - Bass
George Klimow - Drums
John Webster - guest Keyboards




SHARP EDGES - Slice Of Life (1983)
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LISA HARTMAN - 'Til My Heart Stops (1988)

"Til My Heart Stops" by LISA HARTMAN is one of the best (if not the Best) produced records in 1988 speaking about female fronted AOR. Call it rock&pop, lite AOR, melodic synth rock, but definitively this is '80s AOR flavored, really modern production-wise and still sounds superb today.
The distinctive and good thing about this album are the upfront guitars in the mix. And of course, Lisa's smooth vocals that reminds me Patty Smyth (Scandal). We can hear as well similarities to Robin Beck, Liza Nemzo and why not, Heart.
Brilliantly produced by not other than Bill Wray (check his solo album posted on the blog), " ’Til My Heart Stops" has a punchy and crisp sound.

The opening keyboard lines of the first track "Tempt Me (If You Want To)" are to die for. This is pure Eighties. You only can get a song like this on an album recorded in that era. The guitars (courtesy of master Michael Landau) are from outer space. Also the killer chorus and powerful vocal delivery by Lisa.
"I Don't Need Love" is a terrific commercial midtempo followed by the radiable "Ooh, I'm Satisfied". Then another gem; "I Can't Get You Out Of My System" with its increscendo magical AOR vibe with extra-compressed drums.
Quirky keyboards ornament the melody of "Tender Kiss", a track with a monster rhythm guitar work and one of the most seasoned performances by Hartman.

"The Dress" is another winner: a charming soft melodic rocker penned by cult AORster James House.
"How Many Rivers" is slow and climatic. Here Lisa sounds like Luba, that's not a surprise because this song is written by her together with Bill Wray. I love the bridge before the short guitar solo.
"Imagination" is the only track that sounds pretty retro, circa 1983. Synth bass and programmed drums on a 'Flashdance' style tune. Then title track "'Til My Heart Stops Beating" is 'one of those' ballads. Really good vocals and arrangements ready for FM stations.



"Til My Heart Stops" is a pretty unknown album for many AOR fans perhaps due Hartman's pop origins. It's full of great tunes, strong vocals and superb musicianship (check personnel below). It's a perfect product of its time.
This is unfortunately Lisa Hartman last recording before she got married and decided to quit the business.
But what a great one it is.


1 - Tempt Me (If You Want To)
2 - I Don't Need Love
3 - Ooh, I'm Satisfied
4 - I Can't Get You Out Of My System
5 - Tender Kiss
6 - The Dress
7 - How Many Rivers
8 - Imagination
9 - 'Till My Heart Stops Beating

Lisa Hartman - Lead & Background Vocals
Michael Landau - Guitars
Trevor Rabin - Acoustic Guitar Solo (2)
Waddy Wachtel - Guitar (6, 7); Guitar Solo (6)
Larry Klein - Bass, Keyboards, Fairlight
Phil Brown - Bass, Guitar, Background Vocals
Steve Goldstein - Linn Programming, Keyboards, Bass
Mick Guzauski, Manu Katche - Percussion
Craig Krampf - Drum over-dubs
Kevin Raleigh - Background Vocals (4)
Timothy Schmidt - Background Vocals (8)
The Waters - Background Vocals (7)
Bill Wray - Producer, Background vocals (5, 7)




LISA HARTMAN - 'Til My Heart Stops 1988
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TODD HOBIN and The Heat - Turn It On (1984) +1

Fronting his own band, songwriter, vocalist and guitarist TODD HOBIN enjoyed considerable success in the Syracuse, New York area since the late Seventies. The group released three albums and some singles back in the day, and while he still performs with the original Todd Hobin Band and as solo artist, stopped recording (at least full albums) since the mid-Eighties when this miniLP "Turn It On" appeared in 1984.

"Turn It On" was the result of his new band assembled after the last tour he did, re-branded TODD HOBIN and The HEAT. The music inside is the typical radio-friendly melodic rock with AOR touches from the era, with the special flavor some independent bands had.
Mostly are uptempo and melodious tunes, heavily synth dominated with strong guitars riffs. Todd has an 'affected' voice, and his style fits like a glove into these well written songs, simple and effective.
Also keyboardist Doug Moncrief provides back-up lead vocals creating really smooth harmonies.



All are cool numbers, perhaps my favorite is the title track, featuring a very good mid-paced intro with a keyboard festival throughout the entire track.
Added as bonus is "Far Away Eyes", an outtake that in fact they did not included into the miniLP because is was not finished at the time of the recording. It's one of the best tracks here, with some Franke & The Knockouts and Starship on it, and lots, lots of keyboards.
Very nice for the collection!


1 - Everybody's Girl
2 - For A Girl Like You
3 - She
4 - Alibi
5 - Turn It On
6 - Far Away Eyes (outtake / bonus track)

Todd Hobin: lead vocals, guitars
Doug Moncrief: lead & backing vocals, keyboards & guitars
Mark Novak: bass & backing vocals
Shawn Hobin: drums & backing vocals




TODD HOBIN and The Heat - Turn It On
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PLANET 3 feat JAY GRAYDON - Gems Unearthed [Japan version +3] (2004)

Requested in "REQUEST & FILL CORNER" section...

For any AOR fan, the name JAY GRAYDON needs no introduction. With twelve Grammy nominations (2 wins) this talented songwriter, recording artist, guitarist, singer, producer, arranger and recording engineer is one of the greats from the legendary LA scene.
Graydon also found time for his own projects, like PLANET 3 (featuring as band mates the cream of the genre in Clif Magness and Glen Ballard) releasing a stupendous album in the early '90s.

With such busy personnel, few would have expected a new Planet 3 album, but that happened in 2004 with this "Gems Unearthed" a follow up CD with many previously unreleased songs as well as re-worked, alternate versions of a few songs from the first Planet 3 album.
You have here superb AOR melodies, uptempo / ballad tunes full of elegance and class.
There's irresistible tracks like the lush "Jenny's Still In Love", the '80s synth gem "Push It In", the stratospheric AOR of "Criminal" alongside classy FM ballads such as "I Don't Want To Say Goodnight" or the beauty of "Tonight You're Mine".
You know, classic '80s stuff in the vein of Toto, Chicago, Keane, etc.



This Japanese release features 3 additional tracks, taken from Graydon's solo work: one is the Grammy awarded monster ballad "After the Love Has Gone" (written by Graydon / David Foster / Bill Champlin) in a new version sung by Champlin.
The others are "Roxann" with the unforgettable Warren Wiebe on lead vocals, and "Holdin' On to Love" featuring Sherwood Ball, both excellent cuts as well.
Needless to say, production, mix, mastering, etc. in "Gems Unearthed" is top notch, pristine and clear.
A must.


01 - After the Love Has Gone *
02 - Holdin' On to Love *
03 - Roxann *
04 - Jenny's Still In Love
05 - Modern Girl
06 - Tonight You're Mine
07 - Push It In
08 - Mondo Rock
09 - Criminal
10 - Comin' Together
11 - I Don't Want To Say Goodnight
12 - Make My Day
13 - I Gotta Have It

* Japanese edition extra tracks

Jay Graydon: guitars, keyboards, programming
Clif Magness: vocals, guitar, keyboards, programming
Glen Ballard: keyboards, programming
with:
David Foster, Mark Portman: keyboards
Bill Cantos: keyboards, backing vocals
Kenji Sano: bass
Jerry Hey: horns
Jay Oliver: synths
Bill Champlin: vocals
Sherwood Ball: vocals
Warren Wiebe: vocals




PLANET 3 feat JAY GRAYDON Gems Unearthed [Japan version +3]
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GLORY - Danger In This Game [Japanese Edition] (1989)

Requested in "REQUEST & FILL CORNER" section...

"Danger In This Game", arguably the best album from Swedes GLORY, deserved a place on this blog. And that's simply because this record is among the best Melodic Hard Rock ever created from the Scandinavian factory.
With lovely AOR touches in the best Swedish / Norwegian / Danish tradition, you need "Danger In This Game" alongside your Europe, Alien or Treat collection.

Since the first bars of powerful opener title track 'Danger In This Game' you have pure Scandi magic. The AORish 'Never Stop', if released 3 years before, easily could have competed with any Europe hit.
'Runaway' is a killer melodic rocker, while 'Feel The Fire' is one of the best mid-tempo / semi-ballad emerged from the genre (very Alien-like) complete with lovely keyboards.

But the star here is guitarist Jan Granwick: this underrated axeman shines all over the record with punchy rhythms and stratospheric solos. Just listen his work on the driving 'Like An Eagle'...
More gems arrive with 'I'm Hurt', 'This Is The Love' and the superb 'Survivor' (again, a sharp six-string work).



You need "Danger In This Game" in your Melodic Hard Rock / AOR collection. It's a rare case of all killers, no fillers. Even the instrumental last track ironically titled 'Exhibition' (to mock all guitar heroes) is great and with sense of a 'song', not just pyrotechnics.
This very hard to find Japanese release of "Danger In This Game" (different cover... and mastering?) sounds much better than any other in my opinion, brighter and punchier.
A Must Have.


01 - Danger In This Game
02 - Never Stop
03 - Feel The Fire
04 - This Is The Love
05 - Runaway
06 - Like An Eagle
07 - Harmony
08 - I'm Hurt
09 - Tell Me (If I'm Wrong)
10 - Survivor
11 - Exhibition

Peter Eriksson - vocals
Jan Granwick - guitars
Andy Loos - bass, backing vocals
Jonas Sandkvist - keyboards
Matt Driver - drums




GLORY Danger In This Game [Japanese Edition]
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