FX (USA) - In Motion (1987) + In The Sky (1992)

Not to be confused with the Aussie band of the same name, this FX hails from the USA.
The project was founded in the mid-Eighties by keyboard players Douglas Morton and Kevin Monahan while working at E-Mu Systems in Santa Cruz, California, a pioneer Studio in the sampling industry.
Both brought home a lot of new gear - synths, mixing consoles, etc. - to experiment with while producing songs for FX, so the chosen name for the band is not a surprise.

However, their musical style is a mix of poppy Prog / lite AOR with a few Hi-Tech elements focused in an easy listening song format. Morton & Monahan recruited some session musicians and the project morphed into a stable yet 'studio band' christened FX.



The first album "In Motion" appeared in 1987 has a sound reminiscent of UK Synth Rock bands with the addition of stylized pop / new wave touches that bring to mind Canadians New Regime.
There's some sonic experimentation mostly based on rare sounds, but basically these are rock&pop songs with lots of keyboards and synths.



By the early '90s FX turned much more proggy AOR, and palatable for our melodic ears. Saga, '80s Rush, Glass Tiger or the recently featured here The Kite are good examples of FX's sound on their '92 EP "In The Sky".
As you see, the aforementioned are all Canadian acts, and the comparison arrives due the record's pristine playing and production.
This is elegant, delicate stuff with very nice melodies to enjoy.
Both CD's are impossible to find - out of print.




In Motion (1987)
01 - I Disappear
02 - Girl In A Window
03 - Reasons Keep Changing
04 - The Running Man
05 - Quasimodo Sings The Blues (feat. Evan Jiles)
06 - In Motion
07 - Future History
08 - Calling Out On You
09 - Man Or Machine
10 - Solitary Madness
11 - Phoenix Rising (feat. Kevin Monahan)
12 - Phoenix Rising Pt. III (feat. Kevin Monahan)
13 - Phoenix Rising Pt. III (feat. Dave Preshutti)


In The Sky (1992)
01 - I Think It's A Crime
02 - When Will I Sleep Again?
03 - She Loves In Colors
04 - Defenseless
05 - In The Sky

Douglas Morton - vocals, keyboards, sampling
Evan Jiles - bass
Kevin Monahan - keyboards, synths, guitar
Dave Preschutti - guitar
Dave DuCey - drums
Phil Rose - backing vocals




FX (USA) In Motion (1987) / In The Sky (1992)
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0 Day Rock

0day has moved to this new url:

http://0dayroX.blogspot.com/

Updated October 8, 2018

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THE JAMES PROJECT - Desert Bloom (1996)

James Lawrence Berk is a gifted songwriter and arranger who has worked for numerous artists and composed music for TV / radio commercials and film soundtracks. This rich background in the music business helped James to locate top-notch musicians to crystallize his ambition: THE JAMES PROJECT, the recording of his original songs under his own musical direction.
Berk is the 'orchestrator' on "Desert Bloom", driving all these talented musicians to his vision: timeless Melodic Rock with AOR and rock&pop elements.

"Desert Bloom" is almost an 'unknown' B.E. Taylor solo album, as Taylor carries most of the lead vocals here. If you don't know B.E. Taylor, the singer and his band has released four albums during the '80s, all considered cult AOR pieces. His vocal style is an amazing cross of Michael Bolton and Steve Perry, a truly excellent voice, clear and smooth.
The personnel in the recording includes ex- members of Beau Coup, Jonah Koslen, Three Dog Night, American Noise, Michael Stanley Band, etc., so quality is guaranteed.
Opener "Love Is Forever" is a cool commercial song, a bit poppy but with a catchy chorus. "I Don't Know How" is a good mid-tempo, followed by the warm "Can You Feel It" with a very good performance by Taylor.
But the real first monster track arrives with "Take Me To The River". It sounds like a song off THE STORM's debut, and B.E. like Steve Perry. Awesome track.

"Sorrow In Disguise" seems -at first glance- out of place on this album, but it's a really, really good tune, performed by Anne Cochran. She has a deep voice, and the song wraps you into a tremendous groove.
"Tell Her I'm Home" is a pretty obvious ballad, but the unknown (to me) Gary Grimes sings quite well sporting a very nice vocal timbre.
"Mend My Broken Heart" is a Benny Mardones' type song, thus I love it. Lead singer John Salamon remembers me AORster BJ Thomas at the mic.



The following tracks are the best part of this recording: "Sooner Or Later" is a great duet, B.E. sounds almost exactly like Michael Bolton circa 1985, while "Matter Of Time" is gracious and sweet (another top vocal performance).
"Everything About You" steals the show, a brilliant AOR track, and one of the highlights here. Then we have another pearl in "Take Good Care Of Her Heart" performed by Beau Coup's leader Frank Amato. It's great to hear him again. A Beau Coup lost song! Excellent.
"Promised Land" is gorgeous, tell me if it doesn't sounds like a Pride Of Lions / Jim Peterik tune.

THE JAMES PROJECT "Desert Bloom" is a criminally unknown album appeared in a time when good music was sunken by the abhorrent 'trend of the moment', but it's one of the best Melodic Rock project albums out there, soulful, cohesive and with terrific songwriting and performances.
Highly Recommended.


01 - Love Is Forever [Long Version] (lead vocals: B.E. Taylor)
02 - I Don't Know How (lead vocals: B.E. Taylor)
03 - Can You Feel It (lead vocals: B.E. Taylor)
04 - Take Me To The River (lead vocals: B.E. Taylor)
05 - Sorrow In Diguise (lead vocals: Anne Cochran)
06 - Tell Her I'm Home (lead vocals: Gary Grimes)
07 - Mend My Broken Heart (lead vocals: John Salamon)
08 - Sooner Or Later (lead vocals: B.E. Taylor & Sasha)
09 - Matter Of Time (lead vocals: B.E. Taylor)
10 - Everything About You (lead vocals: B.E. Taylor)
11 - Take Good Care Of Her Heart (lead vocals: Frank Amato)
12 - Promised Land (lead vocals: B.E. Taylor)
13 - Love Is Forever [Single Version] (lead vocals: B.E. Taylor)

B.E. Taylor: Lead and Background Vocals
John Salamon: Lead Vocals
Gary Grimes: Lead Vocals
Kevin Raleigh: Lead and Background Vocals
Anne Cochran: Lead and Background Vocals
Frank Amato (Beau Coup): Lead Vocals
Ed Sarley: Electric and Acoustic Guitars
Robert Fraser: Acoustic Guitars
George Sipl (American Noise): Keyboards and Bass
Andy Kubiszewski: Drums and Percussion
James L. Berk: Programming
John Klayman, Mike Lee: Sax
Oliver Hairston: Background Vocals
Donnie Iris: Background Vocals
Peter Hewlett: Background Vocals
Sasha: Background Vocals

Produced by James L. Berk




THE JAMES PROJECT Desert Bloom
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JOHN FANNON (New England) - Demos '91 restored audio

Requested in "REQUEST & FILL CORNER" section...

New England was one of the seminal, guitar-driven AOR acts from the US scene, however, to my ears they were heavily influenced by the British invasion, especially lead singer / guitarist John Fannon vocal style.
After the band break-up, Fannon remained in the music industry playing, composing & producing for others, and occasionally releasing solo material (there's a fresh album out, acoustic/Beatles influenced).

But at the beginning of the nineties John Fannon was planning a solo album that never get materialized.
Only two tracks in demo form surfaced from these sessions (1991), but both surely worth a listen; the AOR magic of "The Way To Your Heart" and the sweet melodic rock midtempo ballad "Your Eyes Are My Eyes".
The original tapes sound quite good, but I have enhanced & cleaned the audio, fixed the "The Way To Your Heart" intro, and did a little, tiny artwork.
Quality AOR/MR material.


1 - The Way To Your Heart
2 - Your Eyes Are My Eyes

John Fannon - Vocals, Guitar
Personnel unlisted



JOHN FANNON Demos '91 restored audio
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ADRIAN GURVITZ - No Compromise [recorded 1983 / released 2000] Japan only

Requested, hard to find

Melomaniacs around the globe must known ADRIAN GURVITZ's worldwide number 1 hit single 'Classic'. A classic song indeed and a staple at FM radio.
Gurvitz was part of English bands like THREE MAN ARMY and The BAKER GURVITZ ARMY (with legend Ginger Baker). Then he becomes solo artist at the late '70s, with his earlier LP being Westcoast-pop oriented, supported by monsters like Jeff Porcaro, David Paich, etc.

But in 1983, together with his brother Paul, Adrian Gurvitz recorded this album in London, practically alone, playing all instruments, turning into commercial FM rock / AOR. This material was rejected by his label, expecting more Soft Rock / Westcoast songs.
The tape was shelved, fortunately resurrected and released in 2000 by specialized, prestigious Japanese label Cool Sound some years ago, released under the name "No Compromise".



These 'lost recordings' have a modern sound (seems recorded 3 years after), with strong guitars, and a typically stylized British AOR songwriting from the early '80s, with some American influences as well.
Maybe the Japanese should have done a remastering to enhance the final product, but surely they wanted to preserve the original as it is. And believe me, it sounds very good.
Good album, rarely seen and unknown. Collector's item now out of print.


01 - Ain't It Always The Same
02 - No Compromise
03 - I'm Not Cryin' Over You
04 - The Price You Pay
05 - Punch
06 - No One's In Love
07 - Can't Buy Time
08 - High Point Of Love
09 - The Last Laugh

Adrian Gurvitz: Vocals, Guitars, Drums, Keyboards on all tracks
Paul Gurvitz: Bass, Producer
Recorded at Tower Studios Hampsted, London



ADRIAN GURVITZ - No Compromise
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HIT THE GROUND RUNNIN' - Sudden Impact (1989)

Requested in "REQUEST & FILL CORNER" section...

This one was requested several times, well it's time to be featured here. "Sudden Impact" is the debut album by Philadelphia quintet HIT THE GROUND RUNNIN'. The band and the album holds the title as being the most sought after indie CD at eBay with a copy scoring $1950.52. This is a really cool collection of songs, but not for paying that ridiculous price.

HIT THE GROUND RUNNIN' made an arrangement with a small Canadian recording label, and "Sudden Impact" was released in 1989 in limited quantities. The album is really professionally recorded and mixed, above the average for an indie.
Musically, the band play clean, polished melodic rock, rock&pop and lite AOR here, with the typical sound of the era.
'Magic' has some Loverboy on it, and Blair Ramsey's vocal color reminds me of Kevin Cronin, so the REO Speedwagon comparison is accurate. There's a strong guitar work as on all songs on the CD, including quite imaginative and effective solos.

'Moment To Moment' recalls Starship, 'Slow Motion' some Scandal, and 'Don't You Look Back' has a that pristine Canadian sound from the era. 'Oh No!' is driven by stinging rhythm guitars and has fine harmony vocal arrangements, while the AOR synths of 'An Original' - a favorite - bring to mind Honeymoon Suite.
More poppy, power poppy I'd say is 'Too Late', with a touch of The Outfield, then 'While It Lasted' is a midtempo semi-ballad, again with very good harmony arrangements.



Beyond its status of expensive rarity, "Sudden Impact" is a highly enjoyable '80s AOR product, more in common with the US sound of 1985 than '89. There's strong melodies, fine harmonies, solid guitar work and overall a feel good vibe that put a smile on your face with each song.
Very Recommended. RARE


01 - Magic
02 - Moment To Moment
03 - Slow Motion
04 - Don't You Look Back
05 - Oh No!
06 - An Original
07 - Over & Over
08 - Who's Walking You Home
09 - Too Late
10 - While It Lasted

Blair Ramsey – Lead vocals
Alan Auginnas – Guitar, vocals
Paul Piccaro – Bass, vocals
Jimmy Katone – Drums, vocals
Rob Kay – Keyboards, vocals




HIT THE GROUND RUNNIN' - Sudden Impact
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ONE EYED GYPSY - ST (2000)

Requested in "REQUEST & FILL CORNER" section...

Quite rare it's this only, self-titled recording by West Virginia quintet ONE EYED GYPSY which existed from 1998 to 2003. Their bio claims to have opened shows for Bad Company, Molly Hatchet, .38 Special, among other major acts.
Despite its year of release (2000), sound & style in "One Eyed Gypsy" is based in late '80s / early '90s US Melodic Hard Rock. The songs are solid and really well arranged / performed.

Favorites include opener "It Takes No Prisoners", a mid-tempo rocker with sharp riffs and a Dokken atmosphere, follower "Give It Up", a catchy melodic rock tune with a Bon Jovi feel circa 7800º Fahrenheit, and power ballad "Not Gonna Fall In Love Again" akin Warrant / Jani Lane.
Talking about the aforementioned vocalists, grand part of One Eyed Gypsy's charm belongs to Ray Whitlock's smooth vocals, a singer previously trained as member of the pretty successful country group Cry Wolf. He plays nice keyboards too, and together with guitarist Tim Kitchen (also producer) are the core of the band.



Other good cuts are the AORish mid-tempo "Waiting For You", hard rocker "In My America" with interesting lyrics about America's violent society, and "Livin' Like You Choose" blending Dokken / Bon Jovi, this time, into one song.
Released by themselves, "One Eyed Gypsy" was quite well produced by guitarist Tim Kitchen, panning some guitar tracks to one side of the stereo spectrum for good effect. Overall mix could be better to provide more tightness to some songs, but this is minor flaw.
Really nice stuff, private release, out of print.


01 - It Takes No Prisoners
02 - Give It Up
03 - Feel Your Love
04 - Not Gonna Fall In Love Again
05 - Waiting For You
06 - Heart Attack
07 - Fix Daddy Broke
08 - In My America
09 - Livin' Like You Choose
10 - Touch Tomorrow

Ray Whitlock: Lead Vocals, Keyboards
Tim Kitchen: Guitar, Backing Vocals, Production
Phillip Osborne: Guitar, Backing Vocals
Randy Morgan: Bass
Bobby Hensley: Drums





ONE EYED GYPSY (here)
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REQUEST & FILL CORNER 22

From now, all request & fills goes in this post Comments.
If you need an album or a single track, request it here, if you have it, be kind with other readers, upload the file and post the link here as well.
Access to this page will be placed at the right column ------>
(the "CLICK HERE" neon sign)
It will be opened in a new window.

Check this section regularly.
You'll find many albums uploaded by readers, not present on the main blog ...

Help each other people!


and don't forget to check out ARCHIVES:


ARCHIVES PART 18

ARCHIVES PART 19

ARCHIVES PART 20

ARCHIVES PART 21

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LORIN ROWAN & The Edge - Supply & Demand (1985)

This rare album was requested several months ago; the private 1985 LP release of "Supply & Demand" by LORIN ROWAN & The Edge, a San Francisco Bay Area band.
Rowan and the guys play here that characteristic mid-Eighties American blend of melodic rock with radio friendly poppy melodies and some lite AOR touches.

Despite its indie origin, "Supply & Demand" was recorded with a high production standard, featuring a layered multi-track technique.
Opener 'Waited Too Long' includes a varied kind of guitar sounds, synths, regular plus Simmons drums, and lots of singers performing harmony vocals in the chorus accompanying Rowan's sweet vocals.

'Whatever I Got To Say' has more 'clean' and atmospheric guitar work and a lullaby melody akin Franke & The Knockouts, 'War Games' is not far from Rick Springfield circa 1983, then 'I Spy' could have been recorded by Preview.
'Oh Girl' is poppy little ditty without major pretension, but things get back on track with 'Tell Her You Love Her' with its strong guitars, 'mysterious' synth background and AORish vocals.



I'd said the LP is so scarce that I couldn't find a better Lp-rip than this one, there's some clicks here and there, and even last track 'Golden Boy' is cut at the end. But I think it's enough to enjoy this really nice slice of mid 80s American rock music.
RARE


01 - Waited Too Long
02 - Whatever I Got To Say
03 - War Games
04 - I Spy
05 - Oh Girl
06 - Tell Her You Love Her
07 - Firin' Line
08 - Golden Boy

Lorin Rowan: lead vocals, guitar
Rick Wilson: lead guitar, lead vocals on 1
Mark Stein: bass
Ozzie Ahlers: keyboards, synths
Jeff Myer: drums
add. musicians:
Sterling Crew: synths, guitar
Billy Lewis: drums, backing vocals
Mike Mann: synths, programming
Stephen Fontano: drums





LORIN ROWAN & The Edge - Supply & Demand (1985)


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