BRUCE HIBBARD - Never Turnin' Back [CD re-edition] (1980)

Requested in "Request & Fill Corner" section...

A nice request to fulfill.
Bruce Hibbard's "Never Turnin' Back" sits easily amongst the best West Coast AOR albums in my collection, and undoubtedly it's one of the more purist recordings in the genre. Despite Hibbard's CCM origins, the lyrics are pretty straightforward.

This customer at Amazon describes perfectly what I think about this little gem:
"The CD starts out right out of the gate with the sprightly title cut, and doesn't let up until the final note of "We Are All His Children." If this CD were released in secular radio in its day, it would have sponsored Top 10 singles for three years.
This is one of my favorite CDs of a collection of hundreds, spanning 25 years or so of CCM and secular music!
I could try as I do with other CDs to mention three to five favorite cuts, but it is not possible with 'Never Turnin' Back'. It is THAT good!

Agree completely. All tracks are pure AOR breezin', exquisitely performed and produced. Bruce sings like an angel and the session musicians are top notch, including the great Hadley Hockensmith on guitars.
Reissued on CD by a specialized Japanese label not so long ago, it seems out of print right now. The digital transfer and mastering is first rate, with a warm sound.
Don't miss this delicatessen.
Highly Recommended.


01 - Never Turnin' Back
02 - Calling
03 - You'll Never Let Me Go
04 - It's A Shame
05 - You're So Good To Me
06 - Forgiven
07 - Straight And Narrow
08 - All Of Me
09 - Love Will Always Make A Way
10 - We Are All His Children


Bruce Hibbard: vocals, keyboards
Hadley Hockensmith: guitars
Dean Parks: guitars
Harlan Rogers: keyboards
Bill Maxwell: drums
Bryan Duncan, Randy Thomas, Kelly Willard: backing vocals






BRUCE HIBBARD - Never Turnin' Back NEW LINK

HOBIN - Keepin' The Dream Alive (1982)

Todd Hobin, from Syracuse, New York, has been around for a a while. Singer, guitarist and songwriter of his own band, Todd's first self titled release date from 1978.
He still performs with the original Todd Hobin Band and as solo artist, but stopped recording since 1985 when 'Turn It On" (already featured HERE on this blog) hit the stores.
Prior to this one, 1982's "Keepin' The Dream Alive" - released under his last name - also includes some nice AOR radio friendly tunes typical of the era.

Opens with pompy title track "Keepin' The Dream Alive", a solid track with good guitars, keys and a wonderful refrain. The inclusion of searing sax lines enhances the track greatly.
Next song "I Ain't Got No Money" is a little and inoffensive rocker that reminds me Robert Berry's Hush, but follower "Lost Without Your Love" is a very good AOR track with awesome harmony vocals, a catchy song that also features an interesting and original middle section instrumentation.
"How Do I Kiss You?" is more poppy AOR oriented but with an irresistible catchiness, polished sound and a hooky chorus.

On the convincing "Talkin' Like A Fool" Hobin sounds like Rick Springfield circa Working Class Dog, whilst "Jealousy" has an early Loverboy vibe. Both fine tracks.
"Tonight (I Wanna Be Lonely)" is a melodic semi-ballad with tuneful vocals by Hobin and candy-floss keyboards ala Franke & The Knockouts. Certainly a goodie.
The ethereal instrumental "Aria For K.T." (mixed with the main title "Keepin' The Dream Alive" reprise) precedes the Le Roux's influenced AOR of "No Words". This is a classy sounding and arranged slow tune that grows on you vividly.

"Keepin' The Dream Alive" is a pretty obscure album released through the indie label Aries Records including really good AOR songs mixed with some fine rock&pop numbers. In short; a typical lovely early 80's American Rock record.
It's nicely produced and very well performed and arranged, a truly enjoyable record.
Vinyl rip restored by myself some years ago (not with my present quality standards but sounds really good) including artwork.


01 - Keepin' The Dream Alive
02 - I Ain't Got No Money
03 - Lost Without Your Love
04 - How Do I Kiss You
05 - Let It Roll
06 - Talkin' Like A Fool
07 - Jealousy
08 - Tonight (I Wanna Be Lonely)
09 - Keepin' The Dream Alive (Reprise) + Aria For K.T.
10 - No Words


Todd Hobin: lead vocals, synths, guitar, piano, percussion
Doug Moncrief: Piano, synths, bass, backing vocals
Bruce Fowler: guitars, backing vocals
Shawn Hobin: drums, backing vocals
John Kane: tenor sax
Peter Mack: string bass
Vince Taft: percussion
Mark Doyle: bass, synth bass, clavinet, guitar, backing vocals, producer






HOBIN - Keepin' The Dream Alive

VENICE - 2nd Album (1990)

Today it's time for a personal favorite: Venice 2nd album.
Not strictly AOR, nor strictly Melodic Rock, but all englobed at the same time, into a lush Classic Rock package.

Comprised of cousins Kipp and Michael Lennon and their respective brothers Pat and Mark Lennon, this quartet from Venice, California, spreads quality to the 4 cardinal points.
Often compared with The Eagles, and Crosby, Stills & Nash, this compliment is more than deserved.
Based on fantastic vocal harmonies and crisp and clean instrumentation without compromising rockin' consistency, their music is a bliss of musicality.

This is the best Venice album in my opinion, offering a varied section of tunes from bubbling rockers as the irresistible "All My Life" (which reminds me my loved Nelson), "Time" and "Kaylee" to the charming ballads "Change In The Season" or the perfect harmony-filled "Hideaway Hill", this band hasn't any single weak moment.
Known for their social consciousness, Venice also give us interesting lyrics on "People Laugh" (which draws attention to the subject of AIDS) and "Ocean", written about the polluted Santa Monica Bay.
If you don't know Venice the band, it's time to fill that gap.
Highly Recommended.


01 - All My Life
02 - Sacrifice The Fool
03 - Mr.Lonely
04 - Change In The Season
05 - Kaylee
06 - Pushed Her Too Far
07 - Time
08 - Ocean
09 - People Laugh
10 - Save The Legion
11 - Hideaway Hill
12 - Ball & Chain

Kipp Lennon - Lead Vocals
Mark Lennon - Lead Vocals
Michael Lennon - Guitars & Vocals
Pat Lennon - Guitars & Vocals
Monroe Jones - Keyboards
Mark Harris - Bass
Scott Crago - Drums & Percussion

VENICE 2nd Album 1990

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VINCI - Vinci (1995)

VINCI is a studio Melodic Hard Rock project devised by German multi-instrumentalist Tom Blendinger.
Session musician and producer, the first self-titled 'Vinci' album was Tom's culmination of three years working in his own studio. For the lead vocals Blendinger called singer Wolfgang Riegal who used to be part of the earlier encarnation of Victory.

"Vinci" is a surprisingly good Melodic Hard Rock album in the Euro style, musically in the line of other German acts such as Casanova or Javan, Swedes Amaze Me and to a lesser degree, mid-era MSG, partly due to the McAuley-esque vocals of Wolfgang.
"The Shooter", "One" and "Get Your Wings" are fine and melodic numbers, not exempt of many AOR harmonies, as the nice midtempo ballad "What About You".
Tom Blendinger is a very good performer particularly on his main instrument, the guitar, building the songs over strong riffs and melodic solos. Good use of the keyboards too, orchestrating the whole Vinci's sound.

Tom Blendinger has released independently an instrumental album under Vinci's moniker, but seems a new MHR oriented CD with a new vocalist is scheduled for 2012.
"Vinci" is a good, catchy album, released by the legendary and now defunct label Long Island Records.
Out of print.


1. The Shooter
2. Get Your Wings
3. Smell of Spring
4. Sixth Sense
5. Chance of Life
6. 1999
7. One
8. What About You
9. Good Times
10. Love's a Jailer
11. Welcome Home

Wolfgang Riegel - Lead & Backing Vocals
Tom Blendinger - All Instruments, Backing Vocals




VINCI 1995
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MARCEL McARTHUR - Don't Turn Around (1987)

Requested in "Request & Fill Corner" section...

Marcel McArthur developed his initial artistic years in the Netherlands as frontman of the short-lived band 'Lose To Win'.
By '84 released his first solo album 'Face The Music' in Germany, while his 2nd and last "Don't Turn Around" (1987) was published not only in Europe, but in the USA one year later.

Christian artist as you may note from the song titles, on "Don't Turn Around" McArthur's style is typically eighties blending rock&pop and contemporary (CCM) with some smooth WestCoast and AOR.
The first tracks does not much for me, such as the poppy & gospel "Love Is Catching On", followed by the commercial sounding and light "I Rejoice" (good guitar solo) and then the boring "Sometimes They Call Me Father".
"Remember Who I Am" is a gentle midtempo rock&pop and things get better with the little rock of "Lost".

The good stuff here is on the 'Side B'.
"Don't Turn Around" is my favorite, a cheap action-movie lite AOR number with synth attack, marching rhythm and catchy refrain.
"He'll Be There" is a good commercial aorish ballad, one of the best vocally performed tracks here.
"Praise To The King" has a smooth westcoast sound, "Jesus Is The Way" is a nice uptempo pop/gospel tune with good arrangements, while last track is a powerful piano ballad very well composed and performed, again with a westcoast scent and some crooner touches.

"Don't Turn Around" - produced by McArthur's itself - it's a nice recording with some interesting and good songs, particularly on the second half. Marcel is preaching most the time, but his mellifluous voice is really pleasant to listen.
Not essential by any means, but obscure and rare as Hell (oops!).

Ripped from the even more rare CD copy. A collector's item for sure.


01 - Love Is Catching On
02 - I Rejoice
03 - Sometimes They Call Me Father
04 - Remember Who I Am
05 - Lost
06 - Don't Turn Around
07 - He'll Be There
08 - Praise To The King
09 - Jesus Is The Way
10 - Here I Am


Marcel McArthur : Vocals, production
Personnel : Unlisted / unknown






MARCEL McARTHUR _ New Link

LOREN HARRIET - Round Up The Usual Suspects (1995)

Requested in "Request & Fill Corner" section...

Loren Harriet is a name that doesn't ring a bell among general rock fans, but this executive producer and musician has been behind several major music projects.
By 1993, the man had the chance to set aside the concerning aspects of the business, and go for his guilty pleasure; his artistic side as musician.

"Round Up The Usual Suspects" is his one and only album, and as you could imagine, heavy weight musicians were part of the recording.
If Loren's name is unknown to you, I'm sure Bill Champlin, Michael Landau, Timothy B. Schmit or Leland Sklar are not.
This stellar line-up (check personnel below) really shine on these quality westcoast/AOR tunes. Some tracks are more classic rock&pop oriented, but with an aorish flavor all over.
Harriet's vocals aren't the strongest, but all the time he's cleverly supported by monsters like Champlin (on 3 tracks), Schmit, Nicolette Larson, Jay Winding, Vonda Shepard... you can't go wrong with these gorgeous throats.
Musically all the songs are impeccable, and even on the few weakest tracks the musicianship is really good, particularly Michael Landau's awesome guitars.

Originally released as promo in 1993, "Round Up The Usual Suspects" was finally published two years after in small quantities.
Mega-Rare.


01 - What Do You Really
02 - Just A Matter Of Mind
03 - Native Son
04 - Be Strong
05 - Loyal Friend
06 - Do You Believe
07 - Stand And Fight
08 - Living A Lie
09 - Strange Man
10 - All The Way
11 - El Dorado
12 - Friends





LOREN HARRIET - Round Up The Usual Suspects

STINGRAY - Revisited Re-Mastered (1979-2009)

Requested in "Request & Fill Corner" section...

From the atypical land for pompy AOR, Stingray was the first South African band to play this genre.
Their first self-titled album, heavily influenced by Boston, Journey, Queen and a bit of early Survivor, scored the local hit "Better The Devil You Know" reaching #4 in the South African radio charts, which was also played in several European countries, specially Germany.

Aside from the pomp keyboards and style, their music has a strong Melodic Rock feel on many tracks, as on the fabulous opener "Better The Devil You Know", a catchy tune with a fantastic chorus.
Follower "The Man In My Shoes" has an earlier Boston influence, from the vocal harmonies to the melodic line. A killer track.
If the previous song had some Boston scent, wait to hear "Same Old Party". Layers and layers of terrific harmony vocals, swirling keyboards and a monster contagious chorus makes this song a favorite.

"Breakdown" has a melodic Survivor feel, while "Devotion" is a Journey-esque midtempo with some proggy AOR elements.
"Where Do We Go From Here" is another favorite. Again influenced by Boston but essentially by Queen due the great vocal arrangements.
Another great one is the classy "Love Saver" where the guitar work resembles Brian May. On "Whole Lotta Fire" they rock a bit harder in the late '70s American style.
"Lucy" is a superb pure pomp AOR ballad based on electric keys, where the lead vocals really shine.

"Stingray" is a great and pretty unknown Pomp AOR / Melodic Rock album with infectious melodies and excellent harmonies, with a crisp and lush production typically American sounding (despite of being recorded in Johannesburg).
As a curious note, drummer Shaun Wright lost a leg in a shark attack in 1980 whilst surfing at Balito Bay. He carried on drumming, but was eventually replaced by Wally Cullis for the next and last album, from which the band was expecting an international success. Unfortunately it never happened, and the group split up soon.
A shame, because they were really good.

This is the CD reissue of the self titled debut with the addition of 2 single b-sides and different track order, re-entitled "Revisited Re-Mastered". I have my doubts if the 'remaster' was done from the master tapes, anyway, it sounds nice.
No fillers in sight, all tracks are really good.
Recommended.


01 - Better The Devil You Know
02 - The Man In My Shoes
03 - Same Old Party
04 - How Much
05 - Breakdown
06 - Devotion
07 - Where Do We Go From Here
08 - Gonna Keep My Head Together
09 - Love Saver
10 - Hard Headed Loner
11 - Whole Lotta Fire
12 - Lucy


Dennis East: Lead Vocals
Mike Pilot: Lead guitar & vocals
Danny Anthill: Keyboards, flute
Eddie Boyle: Bass
Allan Goldswain: Keyboards
Shaun Wright: Drums & percussion



STINGRAY - Revisited Re-Mastered

GARNETT FORD - Postcard (1982) [1995 reissue]

Requested in "Request & Fill Corner" section...

Garnett Ford is a Toronto singer who started his career in a band called Pinball during the '70s. Produced by Ian Thomas, Garnett released his first solo album 'Under The Influence' in 1978.
"Postcard" was his 2nd and last effort before disappearing as main artist from the music scene (he is now composing music for movies and television).

Many in-demand session musicians were part of this recording, such as the great Kim Mitchell, Bernie LaBarge or the late BB Gabor.
The overall musical style on "Postcard" is stylized Canadian rock&pop with some Lite AOR moments.
"Stay The Way" was the single (a minor hit), a really nice radiable tune.
Other goodies are the John O'Banion-like "Can't Do Without It", the aorish and catchy "Looking For You" and the Rick Springfield inspired "Live It Up".
On "When I'm Beside You" Garnett sounds as Ian Thomas (good guitars here), while the orchestrated ballad "You And I" has some westcoast touches.

Expertly produced by Paul Gross and Jack Richardson (Harlequin, Aerosmith), "Postcard" is a nice addition to any collection, specially if you like the Canadian style.
Ripped from the '95 CD reissue by the legendary German label Long Island Records, out of print.


01. Stay The Way
02. Can't Do Without You
03. Words Of Love
04. Looking For You
05. Time Won't Let Me
06. Live It Up
07. When I'm Beside You
08. Can't Slow Down
09. You And I
10. Something In Her
11. Second Chances


Vocals: Garnett Ford
Guitars: Kim Mitchell, Don Gaze, Bernie LaBarge, Sharon Lee Williams, Mike Frances
Keys: Grant Slator, Mike Konn, Dennis Keldi
Bass: Mike Konn, Dennis Finhorn
Drums: Jon Anderson, Paul Armstrong
Percussion: Leon Stevenson, Peter Appleyard
Sax: Earl Seymour
Strings: Allen MacMillan
Backing Vocals: Garnett Ford, BB Gabor, Doug Templeton, Leon Stevenson, Bernie LaBarge, Shawn Jackson, Colina Phillips,



GARNETT FORD - Postcard

JACK STARR's BURNING STARR - The Orange album (1989)

It's time to add some hard sounds to this blog.
Jack Starr is a guitarist and songwriter of French origin, who came to the rock and metal scene at the beginning of the '80s with the band Virgin Steele. I don't know you, but Virgin Steele was one of my favorite groups in my 'young metal years'.
By 1984 Jack formed his own project, 'Jack Starr's Burning Starr', enjoying limited success in the USA during the explosion of hair metal in the second half of the eighties, principally with their Ratt / Dokken oriented '85 release 'No Turning Back', featuring in the line-up future Danger Danger members Frank Vestry and Bruno Ravel.

But at the end of the decade, Starr recorded one of the most unknown American hard rock albums of the era, the self-titled "Jack Starr's Burning Starr", named by the fans as "The Orange album".
This album set a departure from the band's hard 'n heavy style into a more commercial sound, full of keyboards and catchiness.
"Send Me An Angel", "Love Can't Wait", "Fool For Love" or "Hold Back The Night" could have been huge hits on the radio. Sadly, it was a little too late when the album came out (almost 1990) and the labels started to drop artists playing this kind of stuff.
The album only was released in Japan and Germany, but with no promotion and poor distribution it went unnoticed to the major audience.

Well written and played, "The Orange album" is a solid melodic hard rockin' album with inspired guitar work, blasting compressed drums (including cowbells), heavy keyboards and more than competent vocals and choruses. The overall sound / style reminds me my loved Icon (the Phoenix, Arizona band), Keel and Dokken.
This CD version includes 2 tracks not present on the vinyl / cassette editions and has become impossible to find (a Japanese collector paid $300 for a copy, go figure).


01. Send Me An Angel
02. Bad Times
03. Fool For Love
04. Hold Back The Night
05. Love Can't Wait
06. Out Of The Blue
07. New York Woman
08. Tear Down The Wall
09. Break The Ice
10. Good Girls Gone Bad [CD bonus]
11. Remember Tomorrow [CD bonus]


Jack Starr - Guitars
Mike Tirelli - Vocals
William (aka Freebass) Fairchild - Bass
Jim Harris - Drums
Edward Spahn - Keyboards
Chris Collins - add. vocals



Get it HERE